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on November 30, 2017

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Obsession with image: At first, because my aim had originally been to focus on how images can help with women empowerment I looked up more bloggers in Kent following on from the 68 year old beauty blogger, Suzi Grant, who uses her image to promote ageing with style and being healthy through her blog alternate ageing . She was inspired to start this blog by the documentary Advanced Style , which I could watch for research as it chronicles the lives of seven women in New York who believe it is important to dress however you want to and age with style. From this search, I found the blogs dolly bow bow , which is a beauty and lifestyle blog, muddy stilettos , which is a guide to living in the countryside and covers topics such as wellbeing and arts&culture, as well as guilty mother , which offers tips to mothers such as how to relax without feeling guilty. Therefore, I thought that I could aim to focus on one or more of these bloggers and how they use their blogs and the

Transition: The Superhero Genre

Superhero films as a genre A genre can be defined as "particular conventions, like plot, setting, character, and theme, which through imitation and repetition become a familiar and meaningful narrative system" ( Is "Superhero" a Movie Genre?|| NerdSync, 2017). However, because of how genres can overlap, it can be seen that the superhero genre can also involve tropes from other genres, such as those seen in westerns, science fiction, and action (Gaine, 2011:111). Conventions of the superhero genre can be seen to mainly revolve around the character of the superhero, since it is this character after which the genre is named ( Is "Superhero" a Movie Genre?|| NerdSync, 2017). Tropes which regularly appear in superhero films can show these characters dealing with tragedy, developing new and mysterious powers, facing antagonists whose character arcs mirror that of the hero, and battles (Gaine, 2011:111). Nonetheless, not all movies which are classed wi

TV Theory: Broadcast TV by John Ellis

Visible Fictions: Cinema, Television, Video was written by John Ellis and (this edition) was published in 1992. In this book, Ellis talks about television and cinema as separate industries as well as comparing the similarities and differences between the two. One section of the book is Part Two: Broadcast TV . The first chapter of this section Broadcast TV as cultural form , explores how TV is more domestic than cinema as anyone can watch TV at home as long as they have a TV set. It also explains about how TV is broken down into segments , such as advertisements between shows, or even in shows, such as the title sequence, which is almost an advert for the show it comes directly before. How these segments are placed together to form the 'flow' of TV depends on the schedule which is created following strict guidelines, including that the watershed is not until 8:30pm. This is because TV works around the model of famil y that includes a stay at home mother, working father

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