Lauren Burnell's Television Production Blog

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Transition: Idea pitch

on March 16, 2019

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Pre-Production: Writer/Director Damien Chazelle

Damien Chazelle is a writer/director best known for writing and directing Whiplash (2014) and La La Land (2016), and directing First Man (2018). He grew up making home movies with his friends, but couldn't figure out how professional feature films, with their big crews and set pieces which his own films lacked, compared to his own films, until he realised that all films, regardless of scale, are about story ( For Damien Chazelle, it's all personal , 2017). Thus, Chazelle mainly focuses on his personal connection to his stories ( For Damien Chazelle, it's all personal , 2017). Chazelle's movies can be so personal to him as to be almost autobiographical - Whiplash was based on his own experiences as a jazz drummer, with La La Land being similar to his own experience of trying to make it in the movie business in Hollywood (Zacharias, 2017). Because of this, the most common theme throughout his movies is characters working to make their dreams come true - such a...

As Live Production: CBBC Game Show Research

Trapped! 2007-2010 Trapped! is a children's game show where a team of contestants compete in a series of games, each set on a different floor of a tower. During each game a 'saboteur' is picked - a contestant who will try and cause the team to fail the game. Contestants vote for who they thought the saboteur was after each game. Whichever contestant is voted as saboteur - regardless of whether they performed the role during the game or not - stays 'trapped' in the tower forever. The series is set up as being set entirely in a fictional world of its own. This is done primarily through the title sequence (see fig. 1), which uses cartoons and a song - sung by one of the hosts - to explain the premise. Fig. 1 YouTube: Trapped Series 1 Episode 5 (2012) Each of the hosts are also a fictional character. For example, the main host of the show dresses and speaks in a certain way, which fits with the rest of the fictional world. Although he is the main h...

TV Theory: Broadcast TV by John Ellis

Visible Fictions: Cinema, Television, Video was written by John Ellis and (this edition) was published in 1992. In this book, Ellis talks about television and cinema as separate industries as well as comparing the similarities and differences between the two. One section of the book is Part Two: Broadcast TV . The first chapter of this section Broadcast TV as cultural form , explores how TV is more domestic than cinema as anyone can watch TV at home as long as they have a TV set. It also explains about how TV is broken down into segments , such as advertisements between shows, or even in shows, such as the title sequence, which is almost an advert for the show it comes directly before. How these segments are placed together to form the 'flow' of TV depends on the schedule which is created following strict guidelines, including that the watershed is not until 8:30pm. This is because TV works around the model of famil y that includes a stay at home mother, working father...

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Transition: Idea pitch

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